Anna Faris: Blonde, Ambitious & in on the Joke
By Lea Goldman
Photo Credit: Nicole Nodland
But Faris, a self-proclaimed homebody "bordering on agoraphobic," was ill-suited to the Lindsay Lohan routine and quickly abandoned it. A year later, she got engaged to Parks and Recreation's Chris Pratt. The pair are tabloid neverminds, rarely photographed at L.A.'s usual paparazzi-flecked hot spots. They prefer, instead, to entertain at their modest three-bedroom home in the Hollywood Hills. There, Faris says, she has a front-row view of the come-one-come-all business model of Hollywood's young comic guns. "Jonah Hill used to be our neighbor. We'd see him all the time," she explains. "He's doing all these projects, and he'd say [to Chris], 'You gotta do this!' All the guys are buddies, everyone's helping each other out and writing roles for each other. But you can't say to a bunch of girls, 'Hey, you're my friend, come join my movie!'"
That's because women lack that level of clout. That small but explosive truth was the thruline of a provocative New Yorker profile of Faris by Tad Friend that ran last April, in which studio execs and directors confirmed just how deeply sexism runs in the business. (Faris acknowledges that the article caused some controversy with New Regency, the studio behind What's Your Number?, but declines to elaborate.) "Hollywood studio executives don't recognize the value of female performers as much as male performers," she adds. But that's not the only reason it's so tough to get a group of actress friends to collaborate on a film together. Roles for women are scarce, so actresses rarely get to network on set with each other, an upside to filmmaking that men take for granted. "When we meet each other, it's always at some fussy event where everyone's, you know, schmoozy and full of shit. So it's difficult," says Faris. "I would love to have more actress friends, but I just don't." To hear Faris describe it, scheduling a casual meet-and-greet coffee date between two actresses in Hollywood is as soul-crushing as having a movie go straight to DVD. "I have to call somebody's agent and be like, 'Hey, I know this is crazy I don't even have a specific project but I'd really like to hang out with this girl,'" says Faris, wincing. "It has to be awkwardly coordinated like that."
Faris' goal is to become big enough in the industry that she can retreat from acting, focus solely on developing material, and command a posse of her own, à la mega-producer/director Judd Apatow, whose blockbusters (Knocked Up, Superbad, Forgetting Sarah Marshall) typically feature the same round-robin of actors, including Seth Rogen, Jonah Hill, and Jason Segel, among others. "I want my group," Faris says coolly, without a whiff of implausibility. "I want my equivalent of the Judd Apatow crew."
This month, she'll star in What's Your Number?, a raunchfest she also executive produced about a hard-partying, plucky 30-something who freaks out after reading in, ahem, Marie Claire that a woman's chances of landing a husband plummet if she's had more than 20 partners. Directed by Entourage vet Mark Mylod, it's already being hailed as a potential game-changer on par with Kristen Wiig's recent bad-girl gut-buster, Bridesmaids, which has to date banked $256 million at the box office worldwide, hard proof that female-driven comedies can actually pack them in. "I would love to think my film gets the same kind of momentum," she says, alluding to a viral e-mail campaign on Bridesmaids' opening weekend urging women to see the movie.
If What's Your Number? succeeds, Faris will easily become one of the industry's unlikeliest power players, influential enough to helm her own movies and dole out invites to costar the way the fellas do. Among the favorite actresses she name checks: Zooey Deschanel, Rashida Jones, Emily Blunt, Emma Stone, and up-and-comers like Saturday Night Live regular Vanessa Bayer and Community's Alison Brie. "I would just love to be able to find young female talent and be like, 'This person is amazing. I want to support her, and I want to take credit for discovering her,'" she adds.
Her interests aren't entirely altruistic. Though on-screen she can easily pass for someone 10 years younger, Faris, who turns 35 next month, is also keenly aware of her shelf life as an actress, especially one whose specialty is playing the wide-eyed nymph. "The hardest thing in my industry is longevity, getting your next job. It's hard to get the first job, but it's so much harder to get the sixth or seventh as a woman," Faris sighs. So having a cadre of loyal actresses with whom she can collaborate is a forward-thinking act of self-preservation. Pretty smart for a woman whose cleavage is an uncredited supporting character in just about every film she's made.
Faris is currently filming The Dictator with Sacha Baron Cohen (she reportedly beat out Kristen Wiig for the lead). She's also producing her own films, including Gold Diggers, which she describes as the female answer to Wedding Crashers. "You have to create your own stuff," she says. "It's really exciting to create something, sell it, and feel like I'm not just a pawn waiting to be cast."
As we settle up, Faris reveals that she's toying with an idea for a movie about a drunk, louche nanny working at a resort in Hawaii. The lead is inspired, she tells me, by Bridget Fonda's character in Jackie Brown. "She's like a big stoner, super-sexy in her bikini top and jean shorts. She smokes pot all day, flops herself down everywhere. I just love that," Faris says, nearly swooning. She's pitched the concept to a couple of producers, who, she says, bristled at mixing up kids with this kind of fecklessness. "I'm like, 'No, no, no, you don't understand, this is kind of like Adventures in Babysitting!'"
She's yet to recruit a writer, and nobody's committed to financing. But if producers need more convincing, she need only remind them: Guess who plays the drunk nanny?