Marie Claire: How did you decide on the name Lady Grey for your line?
Jill: We knew the story about Lady Jane Grey, and at that time it really fit the vibe of our designs.
Do you find new inspiration each season, or do you have an idea that carries through all of your collections?
Jill: Our aesthetic definitely carries through with every collection. And I think that dictates what the collection will turn out to be—whatever process we’re really in to that time combined with our existing designs.
Sabine: We kind of work backwards. We don’t really start with photos or imagery to guide us. We start to make things and then when a piece is almost done we’re like, "Oh my god, this is so equestrian," or something. Then we hone in on that.
Jill: We make a lot of prototypes. So instead of drawing things up, we just make a shape and start carving. And we work with each other and talk about shapes.
Marie Claire: How did you guys officially start your brand? How did it come to be?
Jill: We became friends in school and noticed that we were both making really dark and twisted jewelry for projects. We both liked each others work, and once we started talking we realized that we had both worked at dentist’s office as teenagers, and learnt how to make jewelry from that. I worked with an orthodontist so I welded brackets and did castings of teeth.
Sabine: My dad is a dental technician so he does the framework that you would make dentures on.
Jill: I always knew what I wanted to do—I always wanted to be in fashion. There was a sale at school once and I was like, "Sabine, do you want to make some necklaces with me for the sale?" So we started by doing that, and that was it. Then we started working out of my kitchen.