MC: Your stories often spotlight the ugly duckling who comes into her own. Why?
JW: Everybody feels like an ugly duckling in some way, and everyone wants the happy ending. My mom has a piece of art in her house that says "If I only had a ___, I'd be happy." There's something satisfying about writing fiction that takes a heroine to a place where she doesn't have any more blanks to fill in.
MC: Why do your characters, particularly your new heroine Addie, focus so much on weight?
JW: I'm acknowledging the realityweight is a big issue for women. As a larger woman myself, I want to talk about characters who aren't punch lines, who aren't patheticthey aren't sitting on couches stuffing their faces with junk.
MC: They also have fun with clothes and shoes. Are you a fashionista?
JW: No! Last year, I bought this beautiful dress in a black-and-white print. It was $800, but I said, "If I wear it 10 times, then it's only an $80 dress." I wore it to readings all over the countrythen people posted pictures of me on Facebook. At 10 different events, I'm wearing the same damn dress. People wrote in comments like, "Do you have other clothes?" And I'd been so proud.
Three to borrow this month:
DUNE ROAD Pink-cover darling Jane Green's gripping poolside read about a single mom who unravels her boss's big bad secret.
GLOVER'S MISTAKE Poet (and Zadie Smith hubby) Nick Laird's novel about a teacher enmeshed in a bizarre love triangle with his bartender roomie and a famous artist.
THE EMBERS Hyatt Bass's stirring debut about a jittery bride whose happy nuptials are clouded over by a family tragedy.