The Buzzy NYFW Brands You Can Shop Right Now
The New New Yorkers, from Zankov and Diotmia to LII and Kallmeyer.
There’s the New York Fashion Week everyone knows, and then there’s the one you learn by osmosis. It lives in the names traded between editors in the back seat of a car, the collection a buyer insists you see before the week ends, and the designer whose clothes suddenly appear on three very well-dressed women within a few days. Increasingly, that version of New York belongs to labels like Diotima, Heirlome, TWO, Kallmeyer, and Ashlyn—brands whose cachet has been accrued through point of view rather than ubiquity.
Collectively, they make a persuasive case for why New York fashion still matters—a common discourse among industry insiders. Their aesthetics may diverge, but they share an independence of thought: clothes that feel deliberate rather than calculated, distinctive without becoming costume, and desirable without relying on a logo to do the talking. This constellation of smaller, ascendant labels keeps the city’s fashion ecosystem from becoming too polished or predictable. Because what would New York be if not unforeseeable?
New York has always been defined by the people making something before everyone else realizes they want it—and this season, these are the names worth knowing—and can shop right this very minute.
Fforme
Fforme, founded in 2021, approaches minimalism with an architectural hand, favoring sculptural draping, fluid proportions, and an exacting attention to fabrication. The result is quiet luxury with genuine design rigor.
Diotima
Rachel Scott's Diotima marries the intricacy of Jamaican craft traditions with a cosmopolitan sensibility, most recognizably through its extraordinary crochet work. You'll find adept handwork and razor-sharp tailoring all at once.
Zankov
Henry Zankov has turned knitwear into something far more thrilling, playing with overly saturated color, graphic pattern, and unexpected silhouettes. There's an art-school irrverence to the clothes, but underneath the visuals is a serious understanding of textile and technique.
Ashlyn
Ashlyn Park's Ashlyn is an exercise in precision, where immaculate construction reflect the designer's background in both Japanese and New York fashion. Her collections often reduce clothing to its most essential elements, then rebuilds them with an architectural, pointed edge.
LII
Consider LII fashion origami. Launched by designer Zane Li, it brings a cerebral, slightly subversive perspective to familiar wardrobe codes, manipulating construction until the everyday feels brand new. It's minimalism for the fashion-fluent—but full of sly, considered details.
TWP
Trish Wescoat Pound's TWP takes the vocabulary of American sportswear—button-down's, trousers, tailoring, easy layers—and makes it feel polished. Relaxed shapes and lush fabrics give the clothes that elusive thrown-on quality that belies how considered they actually are.
Heirlome
Heirlome, founded by Stephanie Suberville and Jeffrey Axford, finds its distinction in lavish materials, artisanal techniques, and an understated approach to femininity. Its pieces have an heirloom permanence, balancing romantic detail with a modern New York wardrobe.
Kallmeyer
Danielle Kallmeyer has built a compelling vocabulary around modern tailoring, louche separates, and an assured, very New York interpretation of womenswear. The appeal lies in its studied nonchalance: clothes that look sophisticated without ever appearing overly styled.
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Cortne Bonilla is Marie Claire’s Senior Shopping Editor, where she decodes the fashion landscape in real time—defining sartorial moments, identifying trends before they reach ubiquity, and distilling an increasingly oversaturated market into the pieces, designers, and ideas genuinely worth knowing. (She’s currently into the Interesting Minimalism aesthetic of contemporary brands.) She has over a decade of experience covering the fashion market, and over the course of her career, which spans previous roles as Senior Shopping Writer at Vogue, Fashion Market Editor at The Cut, and Fashion and Branded Content Editor at Editorialist, she has cultivated an editorial perspective rooted in both rigorous market intelligence and an instinctive understanding of fashion’s cultural vernacular.