Then I had a baby, and everything changed.
My breasts became more than a fact; they became an intricate, beautiful machine, swelling, abundant with milk that streamed into the chirping mouth of my baby girl who fed for hours, then fell off, like an apple from a tree, head back, drunk with my milk. I'd eat brownies and macaroons endlessly, fuel to supply the machine. This was biology, science at work, and it was happening in me. The more milk my baby wanted, the more I ate, the more I made, the fatter she became. I was part of a continuum that reached back to the beginning of time and stretched forward to the end. Wow, I thought, they can do this, my breasts. Extraordinary. I was euphoric. I was not even deterred by mastitis. My doctor wanted me to switch to formula. I refused. My breasts could do this. They burned and ached, a terrible pain. But this was about production, about plumbing. I learned from a midwife that if you caught the infection early, you could push it out with hot compresses and hot showers. So I did. And the milk flowed again.
"Don't you feel like a cow?" my sister Jenny asked. No, I did not feel like a cow. I felt like Mother Earth. I fell in love with my powers; I fell in love with my hardworking, purposeful, magical breasts.
Thirteen months passed, and one day my daughter decided she'd had enough. She refused to latch on. She was finished. I was devastated. No weaning. Done. How long would the grieving last? For exactly one day, in fact. I woke up on the second day and the grief, to my astonishment, was gone. I felt suddenly new, liberated. I waited for my breasts to shrink. But a funny thing happened: My breasts never returned to their normal size; my rib cage shrank. I discovered that I was a 32D. "Guess what? I'm a 32D," I said one day, laughing. My husband looked up, his eyebrows raised. And with that, he made a few undercover sorties to Laina Jane, a lingerie store, for silk bras with velvet straps. They were gorgeous, spoke to my new pride, to what my breasts had accomplished and become—held now like presents, enshrined.
Martha McPhee's latest novel, Dear Money, will be published in June.