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March 12, 2012

Feel-Good Fashion: Rwanda by Design

Deborah Lloyd, creative mastermind of Kate Spade, heads to Africa to hunt inspiration for new handmade products that will help women rebuild their lives.

deborah lloyd

Lloyd visits artisans

Photo Credit: Jacquline Rutagarama

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It's a humid December afternoon at the Caplaki craft market in Kigali, Rwanda, and Deborah Lloyd is power-shopping her way through its 40 stalls. The market is a tad touristy for the president and chief creative officer of Kate Spade New York--she didn't come all this way for gorilla key chains and T-shirts that read "muzungu," slang for "white person." But Lloyd is determined. "I have laser-like vision," she says. "If there's something to find, I'll find it."

Sure enough, Lloyd zeros in on patterned fabric ball necklaces; delicate, ropy jewelry made of painted dried beans; cow-horn bangles, each dyed a lush (and very Kate Spade) jewel-tone like fuchsia and orange. "Such good colors!" she says. "These will look so stylish when they're layered on an arm."

Lloyd isn't shopping for the sake of it--she's doing research on a new product line that could create a road out of poverty for hundreds of Rwandan women and their families. Since 2006, Kate Spade has teamed up with the nonprofit Women for Women International (WFWI) to work with artisans in former war zones such as Rwanda, a country still grappling with the aftermath of the 1994 genocide that killed 800,000 people in just 100 days.

It's a business partnership with a philanthropic twist: As part of a holistic program including health and life-skills education, WFWI trains local women to make one-of-a-kind handicrafts that are designed and sold by Kate Spade, providing the artisans with much-needed income. Last spring, the company's first Rwandan product, a raffia handbag, sold out online days after being featured in Marie Claire. On March 8, International Women's Day, the latest items will hit shelves, including hand-beaded jewelry and woven clutches.

What's next? That's the question that propels Lloyd's weeklong Rwandan expedition scouring markets and meeting with female artisans. She's investigating local techniques and materials that can be used to create more products American women will crave, and not only because they're for a good cause.

For Lloyd, the challenge is a creative as well as a moral one. Making Kate Spade goods can more than double a Rwandan woman's earning power and help feed and send her kids to school; it's not a stretch to say that the work can save lives. But if it stops, so do the life-changing ripple effects. "You can't just say, 'It's beaded necklaces this season, and then I'm going to do something totally different,'" Lloyd says. "You feel a responsibility to keep these women working."

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