
With her smooth, old-school vocals meshed with modern jazzy beats, Dutch jazz singer Caro Emerald, is making it hard for us to stop listening to her addictively sweet voice. Topping charts with her album The Shocking Miss Emerald which soared to No. 1 in the U.K, she is beginning to make waves stateside with shows sold-out at Le Poisson Rouge. Whether wearing a fascinator hat or a curve-hugging Dolce & Gabbana dress, her style is '40s glamour infused with an edgy flair. Get to know Caro some more in MC's interview with the artist, and listen to an exclusive track, "You Don't Love Me" (Live from Le Poisson Rouge NYC). Tune in and listen up, ladies: Your ears will thank you later.
Marie Claire: How does your sound influence your style?
Caro Emerald: In 2008, we figured out this really cool modern sound mixed with old fashioned music, so for the look I wanted to create something to emphasize that. For the artwork of the album, I wanted to create something that if people saw the album they would know what type of music it was. My style is classic and feminine. It is a great hobby of mine to shop for new outfits for the stage and to see what I can do with them. I think that performing is the best excuse to wear stuff that I would not normally wear in the street.
MC: What artists do you admire?
CE: I like Aretha Franklin, Nina Simon, and Ella Fitzgerald. I also like a lot of modern singers like Rihanna, Lana del Rey and Adele. If I had to name one person that owns it all and has the whole package, it would be Amy Winehouse.
MC: Why Amy?
CE: I'm very much into jazz, funk, and pop music and she is the perfect mix of everything. She's the answer to the jazz side of pop. When she came out she created a new path for jazz musicians for a commercial audience. Her lyrics are really deep, her voice is raw but it is easy to listen to.
MC: Who are your favorite designers?
CE: I work with stage designers such as Jan Boleo, he is one of my favorites. I also like the label "Stop Staring" from L.A. I also really admire the Louis Vuitton collections.
MC: One of your trademarks are hats? Why do you like them so much?
CE: I wear a lot of hats, I was into anything on my head since the beginning — it fits my face and it makes a statement. It is so much bigger and stronger to wear a hat than to have a great hairdo — it individualizes your whole look.
Marie Claire Newsletter
Celebrity news, beauty, fashion advice, and fascinating features, delivered straight to your inbox!
-
Blake Lively Praises Taylor Swift and Beyoncé for Modeling the Way and “Aligning Rather Than Dividing”
“When I grew up, women were always pit against one another.”
By Rachel Burchfield
-
You'd Be Smiling Too If You Made As Much Money As Beyoncé Did This Weekend
Opening day and weekend figures for ‘Renaissance: A Film By Beyoncé' are staggering.
By Rachel Burchfield
-
Timothée Chalamet Wore This Tom Ford Look When It Was -3 Degrees Celsius in Paris
His commitment to fashion is evident.
By Rachel Burchfield
-
Pink Calls Gwen Stefani "The Coolest, Kindest" After Their Joint Concert Appearance
A mid '00s dream.
By Iris Goldsztajn
-
Harry Styles Stopped His Concert So a Pregnant Fan Could Go for a Pee and "Not Miss a Thing"
I'm DYING.
By Iris Goldsztajn
-
Miley Cyrus Heartbreakingly Admits That She Carried "Guilt and Shame" After Her 2013 Twerking Controversy
She's let those feelings go now.
By Iris Goldsztajn
-
Miley Cyrus' Song 'Flowers' Was Originally Going to Have VERY Different Lyrics, She Reveals in 'British Vogue' Interview
This is unexpected.
By Iris Goldsztajn
-
Miley Cyrus' New Song Is Packed With References to Ex Liam Hemsworth, And People Are Obsessed With Her "Queen Behavior"
Exhibit A: She released it on his birthday.
By Iris Goldsztajn
-
Taylor Swift Fans Have Big Feelings About Ticketmaster Crashing Due to "Historically Unprecedented Demand"
There was heartbreak.
By Iris Goldsztajn
-
Taylor Swift Beat the *Actual* Beatles With Her New Billboard Chart Rankings
I am shaken to the very core.
By Iris Goldsztajn
-
Taylor Swift Removes "Fat" Scale Scene From Music Video Following Backlash
The discussion rages on.
By Iris Goldsztajn