Elizabeth Hurley Reveals How She Avoided a Wardrobe Malfunction In Her Memorable Safety Pin Dress from Versace
The actress had “never even heard of Versace” before her name became synonyms with the fashion house because of this look.
Versace had many memorable looks in the 1990s that carried the cultural conversation—but few were more buzzed about than Elizabeth Hurley’s so-called “safety pin dress,” worn in 1994 to then-boyfriend Hugh Grant’s premiere of his film Four Weddings and a Funeral. Unbelievably, that was 30 years ago (!), and Hurley opened up to People about how she ensured that one of her boldest looks avoided a wardrobe malfunction.
“Well, the funny thing is actually with all couture clothes is that even though they look daring and whatever, they’re so grounded on your body,” Hurley said. “So that’s probably the first incredibly expensive dress I’d ever put on in my life.”
Before her gold safety pin dress, Hurley said she had “never even heard of Versace when I was offered that dress to wear,” she said. “It was constructed in the most extraordinary way.”
The bodycon dress featured a plunging neckline, a high-leg slit, and large gold safety pins running down the side; it was designed by the late Gianni Versace (who died in 1997) and was first featured on the runway on model Helena Christensen. Of that night, “Before I left the house, I bent down and touched my toes and stretched and wiggled and nothing moved, because—you don’t need to know why nothing moves, but they’re all held together somewhere,” Hurley said. “And that was my first experience of that.”
That night in 1994 was both the first and the last time Hurley has ever worn the gown. “The last time I wore it was that day in 1994,” she said. “Then it went straight back to Versace the next day.” She also added that the dress has since “done tours,” because it is a “very famous dress,” she joked. “It has a career of its own. It’s a well-traveled dress.”
Prior to that night, Hurley was largely unknown—but, like Jennifer Lopez’s jungle green Versace dress at the 2000 Grammys, Hurley’s gown (referred to afterwards as “THAT Dress”) was all anyone could talk about that night and in the days after. This look and the ensuing media attention from it boosted Hurley’s profile substantially, and Hurley and the dress have also been credited with making Versace a household name; it was a turning point for celebrities on the whole, too, allowing them to be more daring in their red carpet looks after Hurley’s example.
In 2019, Donatella Versace told InStyle that, the night before the Four Weddings and a Funeral premiere, Versace got a request from Hurley, who needed a dress for the event. “I know you’d expect something more interesting behind one of the most famous red carpet dresses in history, but, as for many things, chance played a big role in making it all happen,” Versace told InStyle. “No one could really fathom such an astonishing reaction, or that Liz would steal the spotlight from everyone else.” Versace said Hurley tried on the look, which “flattered her perfectly”—and the rest was history.
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“It was just amazing to have something on that was so beautifully crafted,” Hurley told People. “And it looked incredibly daring, but it was actually completely safe. Like wearing the bathrobe, really.”
Rachel Burchfield is a writer, editor, and podcaster whose primary interests are fashion and beauty, society and culture, and, most especially, the British Royal Family and other royal families around the world. She serves as Marie Claire’s Senior Celebrity and Royals Editor and has also contributed to publications like Allure, Cosmopolitan, Elle, Glamour, Harper’s Bazaar, InStyle, People, Vanity Fair, Vogue, and W, among others. Before taking on her current role with Marie Claire, Rachel served as its Weekend Editor and later Royals Editor. She is the cohost of Podcast Royal, a show that was named a top five royal podcast by The New York Times. A voracious reader and lover of books, Rachel also hosts I’d Rather Be Reading, which spotlights the best current nonfiction books hitting the market and interviews the authors of them. Rachel frequently appears as a media commentator, and she or her work has appeared on outlets like NBC’s Today Show, ABC’s Good Morning America, CNN, and more.
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