Princess Diana’s Wedding Dress Designer Is Working On a Modern Interpretation of the Iconic Gown 43 Years Later
“I wouldn’t change a thing on the dress in 1981, but if I was looking at it through my eyes now, there’s so many possibilities.”
One of the most iconic wedding dresses in history is getting a modern refresh, 43 years after it was originally worn. Princess Diana’s July 29, 1981 wedding gown—designed by the husband and wife team of David and Elizabeth Emanuel—is getting what Elizabeth calls a “sequel,” People reports, adding that she is going to “climb back into the time machine” and make a modern interpretation of the dress.
“I’m going to try and capture the spirit of the original—but through my eyes now,” Elizabeth said. “I want to preserve all the sparkles and pearls, but with a completely different vision.” She added, “It’s a really exciting thing because I often get asked, ‘Would you do the same dress again?’ Well, I wouldn’t change a thing on the dress in 1981, but if I was looking at it through my eyes now, there’s so many possibilities.”
Diana’s original 1981 dress had a ruffled collar, puffed sleeves, a voluminous skirt, and a 25-foot train. Though Diana didn’t know it, the Emanuels—who are now divorced—actually crafted a second dress, just to be safe. “I was a bit neurotic, and I thought, ‘What happens if somebody breaks in and steals the dress or something spills or there’s a fire or it gets stolen?’” Elizabeth said. “So I thought, ‘I’m gonna make a backup dress.’”
Inspired by a pink gown she and David made for Diana to wear at a private ball a few days before her wedding, Elizabeth made the second dress, though it lacked a long train. The silk was white, “not the deep ivory that the royal wedding dress was made of,” and while Diana’s actual wedding dress had puffed sleeves, Elizabeth said the backup dress had “slim ones, more fitted to her arms” with frilly cuffs.
The spare dress was never finished, and Elizabeth isn’t sure whatever became of it; that said, Elizabeth has reproduced it to exhibit at the virtual Princess Diana Museum. “We never got to see that dress on Diana and thought it would be lovely to envision it,” said Renae Plant, the museum’s director and curator. “You cannot put a price tag on history,” she added of the acquisition for an undisclosed sum.
Diana’s relationship with the Emanuels began shortly after they provided a blouse for a photoshoot marking Diana’s engagement to then Prince Charles in February 1981. A month later, Diana wore a black strapless gown created by the couple, and afterwards “She said, ‘Would you do me the honor of making my wedding dress?’” Elizabeth said, adding she was in a fitting with another bride when Diana called. “It was hard to control myself.”
As her nerves mounted up in the run-up to her wedding day, Diana found the Emanuels’ design studio to be an “oasis of peace,” Elizabeth said. “She would go upstairs and chat with all the seamstresses. She loved browsing through the rails because this was a new world for her. I don’t think she’d been particularly into fashion before she met us.”
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Unlike the wedding gowns of Kate Middleton in 2011 and Meghan Markle in 2018—where the designers of the brides’ wedding gowns were unconfirmed until closer to their wedding days—the Emanuels’ involvement with Diana was widely known far in advance, People reports. “When Diana came in for a fitting, there would be hundreds of people outside waiting to spot her,” Elizabeth said. “We had to put shutters up on our windows, and we used to put bits of fabric in different colors in the bins just to throw journalists off the scent.”
Of Diana’s wedding day itself, Elizabeth remembered “We could hear the people outside cheering. Everybody was happy and smiling. It really was a fairytale wedding.”
Rachel Burchfield is a writer, editor, and podcaster whose primary interests are fashion and beauty, society and culture, and, most especially, the British Royal Family and other royal families around the world. She serves as Marie Claire’s Senior Celebrity and Royals Editor and has also contributed to publications like Allure, Cosmopolitan, Elle, Glamour, Harper’s Bazaar, InStyle, People, Vanity Fair, Vogue, and W, among others. Before taking on her current role with Marie Claire, Rachel served as its Weekend Editor and later Royals Editor. She is the cohost of Podcast Royal, a show that was named a top five royal podcast by The New York Times. A voracious reader and lover of books, Rachel also hosts I’d Rather Be Reading, which spotlights the best current nonfiction books hitting the market and interviews the authors of them. Rachel frequently appears as a media commentator, and she or her work has appeared on outlets like NBC’s Today Show, ABC’s Good Morning America, CNN, and more.
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