An inexhaustible source of wonder for us commoners, royal weddings offer us a glimpse into a world filled with Dior-embellished grace and Manolo Blahnik heels. The central figure of these lavish nuptials is, of course, not only the bride, but the dress she decides upon. In honor of today's nuptials between Meghan Markle and Prince Harry, here’s a look at some of the most extravagant royal wedding gowns from the last 70 years and the stories behind them.
Designer Norman Hartnell had the honor of designing Her Majesty’s rich duchesse satin dress, which drew inspiration from Botticelli’s painting Primavera. The dress was made of silk from China (not Japan or Italy, given the proximity to World War II) and was intended to symbolize “rebirth and growth.” The queen famously saved up ration cards to pay for the dress, which took 350 women seven weeks to create.
The princess, a former Macy’s salesgirl and volunteer for the French army during World War II, donned a light ivory gown with a lengthy train for her wedding to King Michael of Romania. Although the Romanian king and queen were deposed by communists and weren’t actually able to enter Romania until a three-day trip in 1992, BBC reports that they still remained popular—even loved—by the Romanian public.
Leaving her film career behind to marry Prince Aly Khan—a son of Sultan Muhammed Shah, Aga Khan III—Rita Hayworth found inspiration in Christian Dior’s 1947 New Look collection. Her third wedding dress embodied Dior’s classic elegance with its small bust and long, ample skirt.
The last Empress of Iran opted for a custom Christian Dior wedding gown. Thirty-seven yards of silver lamé embellished with 20,000 feathers and 6,000 diamonds were used to create the opulent number.
Often referred to as America’s royal family, the Kennedy's put together one of the 20th century’s most high-profile nuptials for the wedding of John F. Kennedy and Jacqueline Bouvier. Ann Lowe, a relatively under-the-radar designer from Alabama, made Jackie’s stunning gown. Making Lowe's creation all the more impressive is the fact that a flood nearly destroyed the dress just ten days before the wedding. (Luckily it wasn't harmed.)
Grace Kelly wore a gown by MGM costumer Helen Rose, who had dressed her for her films High Society and The Swan. The most expensive dress ever made by Helen Rose, the gown used lace that was over one hundred years old, as well as 25 yards of silk taffeta, and 100 yards of silk net.
Kelly’s famously glamorous dress inspired bridal looks for Kate Middleton, Kim Kardashian (in her wedding to Kris Humphries), and Ivanka Trump.
The granddaughter of Princess Alice chose a romantic long-sleeved, satin ball gown.
Queen Fabiola opted for a drop-waist dress made of ivory satin with white mink trim. Designed by none other than Cristóbol Balenciaga, the founder of the Balenciaga fashion house, the dress is currently on view at the Balenciaga Museum in Spain.
The Sarah Lawrence college student who later became Queen of Asia’s smallest kingdom dressed in red, a customary color of Buddhist weddings. The glamorous and exotic bridal look starred a traditional ankle-length Sikkimese kho.
Princess Anne Marie of Denmark wore a flowing, empire waist gown by Danish designer Jørgen Bender.
The bride sported a slender, high neckline gown with a lengthy train made by Caroline Bergé-Farwick of Maison Linette, a couturier to the Dutch royal family.
Like her sister (Princess Anne Marie), the reigning Queen of Denmark opted for a gown by Jørgen Bender. The silk dress featured a square neckline and a lengthy train.
Simple in its architecture but elegant nonetheless, Sonja Haraldson’s gown was created by Molstad, a clothing store in Oslo.
The fashion icon opted for a wonderfully unconventional wedding dress by Marc Bohan of Dior for her wedding to Prince Egon, a member of Germany's aristocratic Fürstenberg family. Three months pregnant at the time of her nuptials, Diane accessorized the loose, cotton dress with a belt made of colorful ribbons.
Admiringly, Prince Egon credited Diane for making the von Fürstenberg name famous in a 1981 interview with People—years after the couple's divorce.
British model Sally Croker-Poole wore an understated-yet-opulent sari in iridescent ivory for her wedding to Prince Shah Karim Al Hussaini, Aga Khan IV, a leader of Ismaili Muslims.
Dior’s Marc Bohan designed Silvia’s minimalist, floor-length gown for Sweden’s first televised royal wedding. The bride accessorized notably, to say the least, wearing the Cameo Tiara that had been gifted by French Emperor Napoleon to his then-wife Josephine in the early 19th century.
Fellow history nerds: learning how exactly this crown fell into the hands of the Swedish monarchy makes for an actually pretty fun time.
Princeton University architecture graduate Lisa Halaby (turned Queen Noor of the Jordanian Monarch) also donned a Dior gown by Marc Bohan for her wedding to King Hussein of Jordan. The dress featured with cowbell sleeves and intricate lace details.
Princess Caroline, Grace Kelly’s daughter, wore a 70’s-era dress with a floral crown for her first wedding (she would have two more).
Nearly 750 million people tuned in to watch Princess Diana’s wedding to Prince Charles—and see her now famously iconic dress. Designed by David and Elizabeth Emanuel, the silk taffeta gown used hand-made Carrickmacross lace which once belonged to Queen Mary. The elegant confection also featured a 25-foot train, sequins, and the embroidery of 10,000 pearls.
British courtier Lindka Cierach designed Sarah Ferguson’s ivory duchesse satin and delicately beaded dress. In lovingly detailed fashion, the bottom of the dress’s 17-foot-train *literally* featured a large beaded "A" for Andrew.
For her enthronement ceremony to Crown Prince Naruhito, Masako Owada wore a juni-hitoe, literal translation “12-layered garment,” the most elegant and complex type of kimono worn exclusively by court-ladies in Japan.
Here, a picture of the bride in a more western-styled wedding gown before the Choken-no-Gi (First Audience Ceremony).
Lady Sarah Armstrong Jones, Princess Margaret’s daughter, donned a simple, feminine dress designed by British designer Jasper Conran. Conran’s website notes that the dress was made of silk crepe chiffon with an underskirt of light and heavy satin organza layers, layered in silk crepe.
Four months, twelve types of lace and 25 people went into the creation of Marie-Chantal Miller’s $225,000 Valentino wedding gown. The ivory silk number also featured a 4.5 meter Chantilly lace train.
Infanta Cristina exchanged vows to Inaki Urdangarin, a professional handball team player, in a custom off-the-shoulder gown by Spanish label Lorenzo Caprile.
Marilène graced an eggshell white gown, made primarily of silk duchesse, by Belgian designer Pierre Yves. The poised ensemble included a cropped, wide collared jacket with small, delicate buttons.
Designer Samantha Shaw created Sophie Helen Rhys-Jones’ gown—which saw 325,000 cut-glass and pearl beads sewn onto the feminine v-neck dress.
The turn of the millennium saw Panama native Angela Gisela Brown become the first person of known African origin marry a member of a reigning European dynasty. While making history, Princess Angela looked beautiful, donning a gown she designed herself.
The first commoner to marry into the Royal Family of Lesotho in the small African country’s modern history, Queen 'Masenate Mohato Seeiso’s wedding had over 40,000 guests in attendance at a Maseru football stadium—including none other than Nelson Mandela. The queen wore a jewel-encrusted, long-sleeved gown for the occasion.
A wildly underrated, real-life Cinderella story, Mette-Marit Tjessem was a single mother and waitress prior to becoming Norwegian royalty. Mette-Marit met her Prince Charming (Crown Prince Haakon, to be technical) years before she had her first child at a music festival. (!!!) In true happily ever fashion, the two eventually reconnected and wed.
Here, the Crown Princess is pictured in the understated-yet-opulent wedding dress she wore by Norwegian designer Ove Harder Finseth.
Elsewhere in the world during the beginning of the new millennium, another monarchy signaled a progressive break away from tradition by way of royal marriage: this time in Morocco. Princess Lalla Salma became the first wife of a Moroccan ruler to be publicly acknowledged and given a title. The engineer-turned-Queen dressed in a lavish caftan, the traditional Moroccan dress.