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    1. Culture

    Why Beyoncé's "New" Song 'Before I Let Go' Sounds So Familiar

    It's actually a spin on an old classic.

    By Ineye Komonibo
    Published 17 April 2019 In News

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    Earlier today, Beyoncé stealthily released her seventh album and wreaked havoc on the internet. Almost all 40 tracks on Homecoming: The Live Album are classic favorites, from the underrated bop "Check On It" (one of Beyoncé's BEST songs, and I said what I said), to the scream-at-the-top-of-your-lungs power ballad "I Care." However, I had to pause when I got towards the end of the album. Is that...what I think it is? Yes—it absolutely is. The penultimate track on Homecoming, titled "Before I Let Go," is actually a remake of the iconic Frankie Beverly and Maze song.

    Released in 1995, the original song has gone on to be one of the staple songs of every Black barbecue, wedding, and family reunion; it's one of the electric slide big three, right up there with Cameo's "Candy" and Gap Band's "Outstanding." (honorable mention: Luther Vandross's "Never Too Much"). The cult favorite is an essential and recognizable part of the Black American zeitgeist, and it's kind of a big deal.

    Why does it matter? Well, Beyoncé is making a huge statement by including a cover of "Before I Let Go" in her seventh album. Despite knowing that many of her listeners would hear the song and not think twice about its origins, Beyoncé added "Before I Let Go" because she knew that a significant number of us would immediately recognize it. Beychella and Homecoming are a heartfelt salute to the Black experience, as evidenced by the performance's utilization of the classic sounds of HBCU marching bands and the smooth moves of majorettes. Horns, step routines, the swag surf—in case you forgot, Beyoncé is Black with a capital B. "Before I Let Go" is another reminder of that fact.

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    The remake of "Before I Let Go" emphasizes the for us, by us, we are family, we're all in this together vibe of Beychella. As if the original song wasn't Black enough already, Beyoncé's cover features the jig-inducing elements of New Orleans bounce music, a nod to her Louisiana roots. On top of that, the horns are literally blaring the melody of "Candy." This is prime electric slide music, y'all.

    As the song closes, Beyoncé sets listeners up for what is sure to be the next line dance at your next family function, day party, or boozy brunch:

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    "Ooh (to the left), I just wanna have a good time (turn around)
    Turn around, kick then slide
    And twirl that ass to the right, now
    Ooh, bunny hop, bunny hop, drop, pop
    Cross your legs, turn around and clap
    Shuffle to the left, let’s glide now
    Ooh, drop it down, drop it down low, low
    Low, low, low to the floor, floor
    Bring it up, clap, then roll, roll
    Step on em, step on em, step on em, step
    Step on em, kick on em, stomp then you step
    Swag the right, surf the left
    Work the middle till it hurt a little"

    Those are directions, people. Beyoncé is practically commanding us to get up and move. And when Beyoncé says "dance," you dance.

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    Homecoming: The Live Album is now available for streaming on every major platform.

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    Beyonce
    Ineye Komonibo

    Lagos-born and Houston-raised, Ineye Komonibo is a writer and editor with a love for all things culture. With an academic background in public relations and media theory, Ineye’s focus has always been on using her writing ability to foster discourse about the deep cyclical relationship between society and the media we engage with, ever-curious about who we are and what we do because of what we consume. Most recently, she put her cultural savvy to work as a culture critic for R29 Unbothered, covering everything from politics to social media thirst to the reverberations of colorism across the African diaspora.

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