All the Clues that Daenerys’ Dragons Would Meet This Fate on 'Game of Thrones'

And then there was one. Out of nowhere, one of Daenarys's two remaining dragons, Rhaegal, is now dead. There seemed to be so much promise in season 1, with Dany giving birth to these three beautiful creatures. But it turns out all the signs were there that the dragons were going to meet a terrible fate.

Dragon, Fictional character, Mythical creature, Dinosaur, Cryptid,
(Image credit: HBO)

Spoilers for Game of Thrones season 8, episode 4.

And then there was one. Out of nowhere (seemingly, although we should have seen the Scorpion weapon coming), one of Daenarys's two remaining dragons, Rhaegal, is now dead. And it was a horribly brutal scene, too, with Dany totally blindsided and Euron Greyjoy smiling smugly—I think I might want him to die as much as Cersei at this point.

There seemed to be so much promise in season 1, with Dany giving birth to these three beautiful, initially fragile creatures that grew with her to become terrifyingly powerful forces. Like Dany herself, we felt like she (and they) represented something magical, something predestined. But it turns out all the signs were there that the dragons were going to meet a terrible fate.

The reason why at the beginning of Game of Thrones everyone thinks dragons are dead forever is because the Targaryens' dragons were born smaller and sicker over time, ultimately dying out (it could also be seen as a metaphor for the Targaryens, who practiced inbreeding). The Targaryens were able to rule for a long, long time because of the strength of their dragons, and the loss of those weapons led to a loss of their power. The same thing is happening here—albeit in a much more condensed timeframe. Dany rose to power on the strength of her dragons, but they're dying out one by one. 

Drogon had that telepathic connection with his "mother" to save Dany in season 5, during which she rode to safety on his back. I mean, think about it: The other two dragons ended up chained in a dungeon for a while, totally irrelevant to the plot, basically rotting away in the darkness until Dany called to them. (Also, this might just be me, but I can usually only tell Drogon apart because he's bigger.) So, not that the other two dragons weren't important, but—yea, narratively, they weren't as important except for Viserion as a zombie dragon.

There's a theory that dragons have no place in the modern world. "They are too destructive and too indiscriminate—there cannot be any type of permanent, lasting peace so long as dragons exist as an obliterative force. Everyone seems to be aware of this, even Dany. Again, there's a reason she's never sacked King's Landing even though she's had multiple opportunities to do so." Heh, but you know she's about to reign fire down on the city now—even more reason that the ultimate tool of death might be too much for any one person to wield.

Literally mad as in angry, but also as in the Mad Queen. She has spent nearly eight seasons trying to be a good, patient, kind ruler, so her descent back into tyranny would have to be connected to something huge. And the story delivered: Dany lost Jorah, Missandei, and Rhaegal in the span of a couple days or so. Now, she's lost most of the things keeping her sane and balanced. She's on the warpath and someone (maybe Jon) might have to take extreme measures to keep her in check.

At this point in the story, she still has Drogon. We don't see him in the preview for episode 5, but we see Euron Greyjoy looking up into the sky at something terrifying.

So we'll see. But, judging by what's happened, I think Dany's big scaly "child" isn't long for this world.

For more stories like this, including celebrity news, beauty and fashion advice, savvy political commentary, and fascinating features, sign up for the Marie Claire newsletter.


Katherine J. Igoe
Contributing Editor

Katherine’s a contributing syndications editor at Marie Claire who covers fashion, culture, and lifestyle. In her role, she writes stories that are syndicated by MSN and other outlets. She’s been a full-time freelancer for over a decade and has had roles with Cosmopolitan (where she covered lifestyle, culture, and fashion SEO content) and Bustle (where she was their movies and culture writer). She has bylines in New York TimesParentsInStyle, Refinery29, and elsewhere. Her work has also been syndicated by ELLEHarper’s BazaarSeventeenGood Housekeeping, and Women’s Health, among others. In addition to her stories reaching millions of readers, content she's written and edited has qualified for a Bell Ringer Award and received a Communicator Award. 

Katherine has a BA in English and art history from the University of Notre Dame and an MA in art business from the Sotheby's Institute of Art (with a focus on marketing/communications). She covers a wide breadth of topics: she's written about how to find the very best petite jeanshow sustainable travel has found its footing on Instagram, and what it's like to be a professional advice-giver in the modern world. Her personal essays have run the gamut from learning to dress as a queer woman to navigating food allergies as a mom. She also has deep knowledge of SEO/EATT, affiliate revenue, commerce, and social media; she regularly edits the work of other writers. She speaks at writing-related events and podcasts about freelancing and journalism, mentors students and other new writers, and consults on coursework. Currently, Katherine lives in Boston with her husband and two kids, and you can follow her on Instagram. If you're wondering about her last name, it’s “I go to dinner,” not “Her huge ego,” but she responds to both.