Alabama Shakes Frontwoman Brittany Howard on "Binge-Writing" Her New Album
And how she maintains that *insane* voice.
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Delivered daily
Marie Claire Daily
Get exclusive access to fashion and beauty trends, hot-off-the-press celebrity news, and more.
Sent weekly on Saturday
Marie Claire Self Checkout
Exclusive access to expert shopping and styling advice from Nikki Ogunnaike, Marie Claire's editor-in-chief.
Once a week
Maire Claire Face Forward
Insider tips and recommendations for skin, hair, makeup, nails and more from Hannah Baxter, Marie Claire's beauty director.
Once a week
Livingetc
Your shortcut to the now and the next in contemporary home decoration, from designing a fashion-forward kitchen to decoding color schemes, and the latest interiors trends.
Delivered Daily
Homes & Gardens
The ultimate interior design resource from the world's leading experts - discover inspiring decorating ideas, color scheming know-how, garden inspiration and shopping expertise.
Fact: Alabama Shakes' frontwoman Brittany Howard's voice is unlike anything you've ever heard before—it's better. And, lucky for your earbuds, it's back. See: The band's sophomore album Sound & Color, which drops April 21. We rang up Howard for MC's May issue to talk fighting, binge-writing, and that voice.
Tell us the story behind Sound & Color's lead single, "Don't Wanna Fight."
"The whole writing process was totally backwards. Usually, a song comes all at once, but this one started with just the instrumental; I never write songs like that. The mood felt passionate and infuriated, so I wrote about what I saw around me: Everyone is kind of fed up with the way things are. You're working as hard as you can, but you can't get ahead; the more you give, the more people take. I see my friends and family go through it, and I wanted to say something about that."
Part of your process is "binge-writing," right?
"Yes, I really like to come prepared with something we can work on, so beforehand, I sometimes go in my basement and write for five or eight hours. I could take breaks, but the thing is, there's a possibility I might not go back down, so I work through the day. Afterwards, I'll eat dinner, go to sleep, then do it again the next day."
Which track was the hardest puzzle to solve?
"Future People" comes to mind, because it mixes all these different genres. I'm glad we didn't scrap it. To me, it's like a dreamscape; it's so bizarre. We really searched and worked on that one. We recorded it three times before we liked it. Once we found the tones we were responding to, we listened to it and said, "OK, we like it." It took a while.
What's it like to be the only girl in the band?
"It's not something I'm conscious of. We're just personalities floating around, trying to get along—and we do. The band's my best friends. I get to share the creative part of myself with them."
It sounds like you might have three different singers trapped inside one body—how do you keep all those voices in shape?
"I have no idea—it's a miracle. I drink a ton of water a day and try to get as much sleep as possible. Sleep is the best way to restore your health. Never skip on sleep, it's crazy important."
A version of this article appears in the May issue of Marie Claire, on newsstands now.
Get exclusive access to fashion and beauty trends, hot-off-the-press celebrity news, and more.
You should also check out:
Behind the Scenes with The Preatures as They Embark on a New National Tour