No audience? No problem. Miley Cyrus blew viewers away Sunday night during the 2020 Video Music Awards with a performance of "Midnight Sun." Despite a crowd-less audience (due to COVID-19 restrictions) the singer delivered a powerful rendition of her latest single.
The singer—who is nominated tonight for VMAs in best art direction and best editing for "Mother's Daughter"—took us back to a simpler time with her performance, recreating her iconic 2013 "Wrecking Ball" video. Clad in a slinky black sequined dress and diamond crosses and plenty of mixed metal jewels, Cyrus rocked out while flooded in red and blue lights before climbing atop a larger-than-life disco ball.
Cyrus dropped "Midnight Sky," including a self-directed, '80s-inspired, glitter-fueled music video for it, earlier this month. With lyrics like, "See my lips on her mouth, everybody's talkin' now, baby / Ooh, you know it's true (Yeah, yeah) / That I was born to run, I don't belong to anyone, oh no / I don't need to be loved by you," the song seems to address the singer's very public relationships (and even more public breakups) with ex-husband Liam Hemsworth and Kaitlynn Carter.
Our girl @MileyCyrus has us all gazing at the #MidnightSky tonight! #VMAs 🔭✨ pic.twitter.com/7UVmPix1MyAugust 31, 2020
Upon releasing the album Cyrus also confirmed on Instagram Live that she and recent beau Cody Simpson were also taking a break. "A year ago, almost to this exact date, the media tried to tell my story for me and control my narrative, and I'm just not accepting that," she said, referring to her breakup with Hemsworth. "So today, it came out that me and my boyfriend have broken up, it was confirmed by a 'reliable source' even though no one is reliable in a relationship except the two individuals that are participating in it." She added that "two halves can't make a whole," and that she and Simpson are friends who are "just working on ourselves to become the people that we want to be."
Cyrus, 27, is no stranger to the VMAs stage. Last year, she made her first public appearance, post-divorce announcement, to perform her emotional breakup anthem "Slide Away" at MTV's award show. In 2015, Cyrus also hosted the show, and in 2014 the singer won video of the year for her hit song "Wrecking Ball." And, of course, the VMAs was the site of Cyrus's controversial 2013 performance alongside Robin Thicke. In March, the singer revealed on social media that the body shaming that occurred after that performance led her to stop wearing bikinis for almost two years.
“No one thought that that would’ve ever made me feel some type of way,” Cyrus added. “It was just really, really hurtful to be so body-shamed like that. And it really affected me in my personal life.”
She continued, "I felt like having this persona of being the most confident girl on the planet was actually kind of fraud because I was so insecure on the inside that in my personal life I wasn’t even wearing bathing suits and shorts. And when I was wearing like my little leotards and things, I had on f—ing four pairs of tights because I was so insecure."
Fans were obsessed with the performance and callback to her Bangerz days. See the best reactions to Miley Cyrus's VMAs performance below.
Miley Cyrus = forever iconic. #MidnightSky #VMAs @mileycyrus pic.twitter.com/pJvbqetd3AAugust 31, 2020
one thing about Miley Cyrus is that she's gonna give you a good performance. #VMAs https://t.co/9qZwwzZ0uJAugust 31, 2020
absolutely iconic, @mileycyrus is THE queen of #vmas and she did it AGAIN. vocals were insane and YES SHE WAS ON A DISCO BALL. the iconicness jumped!!!!! pic.twitter.com/gnDhYJNXQMAugust 31, 2020
I can’t believe i just witnessed Miley Cyrus riding a ball AGAIN pic.twitter.com/LUylj6O1mgAugust 31, 2020
And in case you forgot about the iconic video for "Wrecking Ball" watch it below.
As Marie Claire’s Entertainment Director, Neha oversees and executes strategy for all editorial talent bookings and culture coverage across the brand's print and digital entities, including covers, celebrity profiles and features, social takeovers, and video franchises as well as handles talent relations for MC's flagship summit, Power Trip. She's passionate about elevating diverse voices and stories, loves a hot-take, and generally hates reboots. She's worked in media for more than 10 years and her bylines about pop culture, film & tv, and fashion have appeared on Glamour, Vanity Fair, GQ, Allure, Teen Vogue, Brides, and Architectural Digest. She is a graduate of the Columbia School of Journalism.
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