Will the Direwolves Come Back on 'Game of Thrones'?
I had so much hope for the beautiful, wild, symbolically relevant direwolves that the Stark children discover in the first season of Game of Thrones. But with Jon Snow officially gifting Ghost to Tormund without so much as a pat on his fluffy white head, I have to say it: I am so upset at the way the direwolves were handled on the show.
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Spoilers for Game of Thrones season 8. I had so much hope for the beautiful, wild, symbolically relevant direwolves that the Stark children discover in the first season of Game of Thrones. Each one paired to a particular Stark child, with the fate of each bound together (making the death of Sansa's direwolf, Lady, at the hands of evil Joffrey huge foreshadowing into her fate, for example) was a gorgeous and meaningful construct. But with Jon Snow officially gifting Ghost to Tormund without so much as a pat on his fluffy white head in episode 4 of season 8, I have to say it: I am so upset at the way the direwolves were handled on the show.
I know, I know: The creators have talked about how goofy it looks to have an enormous wolf via CGI (somehow weirder than the totally fake dragons? Ok.). And they thought it would be more powerful for Jon to just simply walk away (Um, no). And the direwolves belong to the North as the Starks (or at least Arya and Jon) head South—so they have to abandon their Northern selves to accept their Southern identities/potential deaths? (Sure...) And the direwolves have played less and less of a part in the show as the creators have had to jam in more content in a shorter timeframe. I get all that. But it's still the wrong way to handle it, in my opinion.
It seems like the initial purpose of the direwolves were for them to sacrifice themselves to protect their owners. I cried the most when Bran's direwolf Summer fell at the hands of wights coming for the Three Eyed Raven as Hodor held the door (sniff) and Bran made his last second escape. The brutal deaths of Rickon and Rob and their direwolves showed how cruel their enemies could be. But the metaphor and significance have just limply wilted from there. Given that Jon and Arya's direwolves are both still alive, I think that bodes sort of well for the characters making it through to the end of the series. But Bran and Sansa are still alive, so I don't think it's a one-to-one correlation. So even the metaphor has lost its significance in the lightning-quick pace of the show.
Wouldn't it have been so much better to at least have Ghost fight alongside Jon in the big battle? Or have Nymeria make a last-second return for Arya in her time of need? Fans speculate that this might still happen, but I'm not hopeful. I'd love a Ghost and Nymeria team-up to save the day for our much-beloved characters, but I doubt it. I think this is the last we've seen of the direwolves on this show, and it breaks my animal-loving heart even more than the killing off of Dany's dragons.
I suspect and hope that George R.R. Martin will do something with the direwolves in the books that will be more significant, because honestly, if that was just one big MacGuffin with no payoff at all, I will be so mad. Madder than I am already, anyways.
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Katherine’s a contributing syndications editor at Marie Claire who covers fashion, culture, and lifestyle. In her role, she writes stories that are syndicated by MSN and other outlets. She’s been a full-time freelancer for over a decade and has had roles with Cosmopolitan (where she covered lifestyle, culture, and fashion SEO content) and Bustle (where she was their movies and culture writer). She has bylines in New York Times, Parents, InStyle, Refinery29, and elsewhere. Her work has also been syndicated by ELLE, Harper’s Bazaar, Seventeen, Good Housekeeping, and Women’s Health, among others. In addition to her stories reaching millions of readers, content she's written and edited has qualified for a Bell Ringer Award and received a Communicator Award.
Katherine has a BA in English and art history from the University of Notre Dame and an MA in art business from the Sotheby's Institute of Art (with a focus on marketing/communications). She covers a wide breadth of topics: she's written about how to find the very best petite jeans, how sustainable travel has found its footing on Instagram, and what it's like to be a professional advice-giver in the modern world. Her personal essays have run the gamut from learning to dress as a queer woman to navigating food allergies as a mom. She also has deep knowledge of SEO/EATT, affiliate revenue, commerce, and social media; she regularly edits the work of other writers. She speaks at writing-related events and podcasts about freelancing and journalism, mentors students and other new writers, and consults on coursework. Currently, Katherine lives in Boston with her husband and two kids, and you can follow her on Instagram. If you're wondering about her last name, it’s “I go to dinner,” not “Her huge ego,” but she responds to both.
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