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    1. Culture
    2. Books

    Jo Piazza Will Inspire You to Run for Office With Her Latest Book, 'Charlotte Walsh Likes to Win'

    She started the novel before the 2016 election, and now the need for female candidates has become an all-important reality.

    Rachel Epstein's avatar
    By Rachel Epstein
    Published 22 August 2018 In News

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    Welcome to MarieClaire.com's Q&A author series—the spot where we ask the #ReadwithMC author-of-the-month five burning questions about her latest book. This month, we're reading Charlotte Walsh Likes to Win by award-winning journalist and bestselling author Jo Piazza. If you're interested in the novel and looking for some friends to talk about it with, find out how to participate in MarieClaire.com's new interactive monthly book club here.

    Jo Piazza's newest book, Charlotte Walsh Likes to Win, is a timely story of political ambition, marriage, sexual politics, and what it takes for a woman to run for office today. It's required reading as the 2018 midterm election approaches, especially when women like Alexandria Ocasio-Cortez and Christine Hallquist are fearlessly running—and winning.

    Here, Piazza discusses the importance of her novel and why she's "sick of writing about rich white ladies who live in New York."

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    Marie Claire: What inspired you to write Charlotte Walsh Likes to Win?

    Jo Piazza: I started to think about writing it before the 2016 election when I was watching how the media was covering not just "the woman candidate," but all women candidates. I wanted to use fiction to show not only how differently they're covered and treated on the campaign trail, but how it's five times harder for a woman to run than a man.

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    I wanted to show that very honestly, too, because all politicians are very polished and they only speak in soundbites. I wanted to get behind the scenes and dig into the emotion behind that. Then the election happened, and it felt even more imperative. I genuinely believe that Hollywood, in terms of TV and movies and popular fiction, has completely failed women by not creating enough women characters who lead, who are ambitious, and who wear their ambition with pride.

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    I wanted to flip that on its head, so it was very important for me to show a female character who wasn't just running for office because her husband couldn't run, or because she had fallen into it. That's how I created Charlotte.

    MC: If you could be one character in the book, who would you be?

    JP: It's so hard. I go back and forth every single day about who my favorite character is, but I think Roz and Cara. I love them so much. Charlotte is great, but everyone loves Charlotte. Roz and Cara were my favorite characters to write because it was very important for me to show an older generation of women and how hard [running for office] has been for a long time. It was also important for me to show different socioeconomic classes of women.

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    I chose Pennsylvania as the setting because it's genuinely a microcosm of the United States. You have the urban elite areas with an Ivy League university, you have the rural poor, you have the working class who literally, just a generation ago, had the factories stolen from them. I'm also sick of writing about rich white ladies who live in New York. My family grew up in northeastern Pennsylvania and it was incredible to get to write characters like the kinds of people my family grew up with.

    It was important for me to show a woman character who wasn't just running for office because her husband couldn't run, or because she had fallen into it.

    MC: Who would play the main characters in a movie? Cast your protagonist and antagonist.

    JP: This is a tricky question for me to answer right now because I actually know who's going to play Charlotte (we just signed the contract for the television show!). It's the perfect female casting. I'll be able to give you more details shortly.

    MC: Why should people read this book?

    JP: We have to start a conversation about women and ambition, and that's the whole goal of the book. Let's talk about women having ambition, let's talk about women leading because we just don't see it enough in fiction and popular culture. I wrote this book to start that conversation. I did my book tour in the middle of the country so I could have that conversation with people off the coasts—in places where you're not normally having that conversation.

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    I've had women from very rural farmers to women who have their own family members dealing with the opioid crisis in the rural south come up to me and say, "Thank you for showing a very real female character who does lead and is opening the eyes of people the way they need to be opened."

    Other comments I'm getting in person and on social media are people saying, "I'm not that interested in politics at all, but I picked up this book because I thought it looked like a good book and now I'm really interested in finding out which women are running." Other women are like, "This gave me a blueprint of how I could do this." That's why I wanted to include all of the different organizations in the back of the book that could help women run for office.

    MC: What's currently on your nightstand?

    JP: I just finished Florida, the short story collection by Lauren Groff, and it was the best short story collection I've ever read. I don't typically like short story collections, but that and Curtis Sittenfeld's collections were both incredible.

    You can purchase a copy of Charlotte Walsh Likes to Win here.

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    Rachel Epstein
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    Rachel Epstein is a writer, editor, and content strategist based in New York City. Most recently, she was the Managing Editor at Coveteur, where she oversaw the site’s day-to-day editorial operations. Previously, she was an editor at Marie Claire, where she wrote and edited culture, politics, and lifestyle stories ranging from op-eds to profiles to ambitious packages. She also launched and managed the site’s virtual book club, #ReadWithMC. Offline, she’s likely watching a Heat game or finding a new coffee shop. 

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