Kristen Stewart and Dylan Meyer Wore Matching Suits to the 2022 Oscars

Currently looking into getting myself a pantsuit.

Kristen Stewart and Dylan Meyer at the 2022 Oscars
(Image credit: Future)

Kristen Stewart, nominated for her starring role as the late Princess Diana in Spencer (2021), attended the Oscars tonight in a Chanel ensemble that flips the traditionalism of the pantsuit by making it a...shorts-suit? The silky, irreverent outfit is in line with Stewart's signature cool-girl attitude and matches the equally flattering, flared panstuit flaunted by her fiancée, screenwriter Dylan Meyer (known best for her work on 2016's XOXO and 2021's Moxie, both of which are available on Netflix). Both women matched their all-black suits with white button-down shirts that they wore open.

Kristen Stewart and Dylan Meyer at the 2022 Oscars

(Image credit: Future)

Kristen Stewart at the 2022 Oscars

(Image credit: Future)

Kristen Stewart and Dylan Meyer share a kiss at the 2022 Oscars

(Image credit: Future)

Stewart's look, of course, is a custom 'fit by Chanel, the fashion house with which she's had a close relationship since she became one of their celebrity ambassadors in 2013. We love Stewart's consistent show of authenticity: Her choice to wear shorts to tonight's ceremony comes on the heels of her commitment to her history of wearing Vans while on press tours and donning loose pantsuits before they were cool. It's also in line with Chanel's history of constantly pushing the envelope on women's fashion by embracing traditionally male silhouettes and making utilitarian pieces like suits, berets, and, in this case, shorts, high-fashion.

I don't know about you, but I'm already looking into bringing the shorts-suit into my personal wardrobe this spring.

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Gabrielle Ulubay
Former Beauty Writer

Gabrielle Ulubay is a Former Beauty Writer at Marie Claire. She has also written about sexual wellness, politics, culture, and fashion at Marie Claire and at publications including The New York Times, HuffPost Personal, Bustle, Alma, Muskrat Magazine, O'Bheal, and elsewhere. Her personal essay in The New York Times' Modern Love column kickstarted her professional writing career in 2018, and that piece has since been printed in the 2019 revised edition of the Modern Love book. Having studied history, international relations, and film, she has made films on politics and gender equity in addition to writing about cinema for Film Ireland, University College Cork, and on her personal blog, gabrielleulubay.medium.com.