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    1. Fashion
    2. Spring Fashion

    Spring 2025’s Floral Prints Keep the Love Affair With Fashion Alive

    From Dior’s iconic rosettes to Laura Ashley’s vintage blooms.

    Emma Childs's avatar
    By Emma Childs
    Published 7 April 2025 In Features

    When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

    A future graphic of floral prints throughout fashion history featuring Twiggy and Victorian-era florals
    (Image credit: Future)

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    Fashion loves a flower, from Christian Dior's rosettes and Chanel's camellias to Mary Quant's coo-coo-ca-choo daisies and Laura Ashley's prairie patterns. The Spring 2025 runways planted a few more in fashion's metaphorical garden; Chloé's Chemena Kamali, for one, had a field day and showed bouquet-printed chiffon gowns and Chantilly lace bloomers that helped the boho trend revival bloom.

    Spring's fresh-picked prints weren't exactly novel—or groundbreaking—but they well illustrated the industry's long-standing infatuation with florals. Loewe's hoop-skirt gowns in blush, ivy, and baby blue botanical prints looked similar to what upper-class ladies wore for promenades around Victorian-era England, while Erdem's see-through drop-waist dresses embroidered with wildflowers and crystal fringe were meant for modern-day flappers. Fashion history buffs will also note how Marni's Francesco Risso time warped back to post-World War II Paris; the creative director's rosette-patterned A-line skirts and scarf blouses were reminiscent of Dior's from the late-'40s, which revived romanticism in fashion after years of austerity and rationing.

    But you don't need to be a capital-N, capital-F Fashion Nerd to enjoy this spring's references to floral prints across the decades. That's where Marie Claire's visual history lesson and trend breakdown comes in handy, leaving you to stop and smell—er, shop, rather—the roses in peace.

    Latest Videos FromMarie Claire
    Watch full video here:

    Victorian Florals

    fashion history of florals in victorian era woman wearing floral dresses and at Miu Miu, Simone Rocha, Loewe Spring 2025

    19th-century drawings of Emily Duchess of Beaufort in costume for Queen Victoria's Bal Costumé, a bouquet seller, and 'Jeanne' by Edouard Manet alongside models from Miu Miu, Simone Rocha, and Loewe's Spring 2025.

    (Image credit: Getty/Launchmetrics)

    The Victorian era, which spanned Queen Victoria's reign over Great Britain and Ireland from 1837 until she died in 1901, was a monumental era for floral fashion. Led by the Queen's love for flora, women's gowns were detailed with hyper-detailed botanical prints. Fresh blooms were often integrated into daily wear, tucked into headpieces or held in silver bouquet holders.

    The roses, peonies, and baby's breath motifs seen throughout Loewe's Spring 2025 paid homage to the epoch, while Miu Miu's naturalistic embroideries looked ripped from a floriculture textbook. Meanwhile, Simone Rocha took inspiration from the portable bouquets popular during the Victorian era—also known as "tussie-mussies" or "nosegays"—with carnations pressed between organza and carried in hand.

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    Pioneered by Christian Dior's iconic 1947 'New Look' collection, fashion in the period after World War II saw a return to romanticism after years of rationing and utilitarianism. This attitude manifested in lush and voluminous rosettes, prints with bigger blooms, and petal-like forms emphasizing a woman's waist. You'll find the same feminine and garden-inspired details in Carolina Herrera, Jil Sander, and Marni's spring showings.

    Marie Claire Newsletter

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    Emma Childs
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    Social Links Navigation
    Former Fashion Features Editor

    Emma Childs is the former fashion features editor at Marie Claire, where she explored the intersection of style, culture, and human interest storytelling. She covered zeitgeist-y style moments—like TikTok's "Olsen Tuck" and Substack's "Shirt Sandwiches"—and has written hundreds of runway-researched trend reports. Above all, Emma enjoys connecting with real people about style, from designers, athlete stylists, politicians, and C-suite executives.

    Emma previously wrote for The Zoe Report, Editorialist, Elite Daily, and Bustle, and she studied Fashion Studies and New Media at Fordham University Lincoln Center. When Emma isn't writing about niche fashion discourse on the internet, you'll find her shopping designer vintage, doing hot yoga, and befriending bodega cats.

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