Sarah Jessica Parker Trades Designer Bags for Quadruple-Decker Thanksgiving Pies on the 'And Just Like That' Set
This may be the actor's most unhinged costume yet.


Another day, another truly insane Sarah Jessica Parker And Just Like That look. The evolution of Carrie Bradshaw's style on the Sex & The City spinoff series has been a bit controversial to say the least. Gone are the lived-in white tank tops and messy curls of her younger years. In their place, polished blowouts and eccentric monochromatic looks have taken hold. The fashion of And Just Like That may not be everyone, but watching these titillating outfits trickle in from set has given life shape and purpose for me.
Styled for the show's forthcoming third season by costume designer Molly Rogers, Parker stepped out on Oct. 23 in a pink sequin knit tucked into a voluminous red tulle skirt from Molly Goddard. The color-coordinated look was layered beneath a red and brown plaid coat and topped with a crushed pink velvet fascinator. She also wore pink satin ankle-strap peep-toe sandals and best of all, a quadruple-decker pie basket. Never has an ensemble more loudly declared, "Thanksgiving came early, ladies."
Sarah Jessica Parker films a scene for And Just Like That in head-to-toe hot pink.
Later in the same episode, it seems like Parker ditches the pies in favor of a vintage Vivienne Westwood "mock croc" handbag from the designer's "Climate Revolution" Spring 2013 collection and a copy of Alexei Navalny's memoir Patriot, which details the author's time in a Russian prison. It's not exactly light reading, but it wouldn't be the first time And Just Like That has explored Bradshaw's political beliefs. Last month, Parker was spotted on set pairing a teal sweater and tights with a paint splattered tote bag from The States Project, a nonprofit organization that specializes in supporting state legislatures.
Sarah Jessica Parker swaps her pie carry-all for a gold croc-embossed bag.
It was tough to track down the exact coat and sweater Parker is pictured wearing, but close approximations for the color and pattern of those pieces can be found from Byan and Comme des Garcons Play.
Needless to say, I'm looking forward to seeing what, in fact, Carrie Bradshaw was doing with all those pies. The third season doesn't have an official release date, but it will premiere sometime in 2025.
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Hanna Lustig is a staff writer at Marie Claire, where she gets to gab every day about the topics she holds most dear: fashion, beauty, and celebrity. Hanna’s editorial journey began with formative internships at Elle and InStyle, where she was lucky enough to work for some of the smartest women in media while she was still in college at the University of Tennessee. Hanna then accepted a digital culture reporting fellowship at Insider, where she helped carve out a new beat dedicated to covering influencers. Those experiences later served her well as a staff writer at Glamour, where she developed a knack for spinning quick turnaround celebrity news and trend reporting into juicy feature stories. Some of her greatest hits include an earnest ode to the no-pants trend, this meticulously reported feature exploring the rise of endoscopic facelifts, this snappy take on the Chanel-designed fantasy of Sofia Richie’s wedding, this tribute to WAGs past and present, and this timeline of Katie Holmes’s life and career as told through her denim collection.
Diane Keaton once hung up on Hanna during an interview, but thankfully that mishap did not derail what has otherwise been a deeply fulfilling career writing for and about women. As one of Marie Claire's resident experts on style and culture, her current coverage ranges from exploring TikTok's contrast makeup theory and the return of the boat shoe trend to interviews with costume designers for hit shows like Nobody Wants This and The Penguin. When she’s not at work, Hanna can probably be found listening to pop music, talking to her dog, and gossiping with her best friends. For more of Hanna’s perfect opinions on pop culture, you can follow her on Instagram and X.
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